Coperta “The Mandibles: A Family, 2029–2047”

The Mandibles: A Family, 2029–2047

Durata: 14h 12m

THE BRILLIANT NEW NOVEL FROM THE ORANGE PRIZE-WINNING AUTHOR OF WE NEED TO TALK ABOUT KEVIN.‘Distinctly chilling’ Independent ‘Unsettling as it is entertaining’ Financial Times‘It's scaring the hell out of me’ Tracy ChevalierTHE BRILLIANT NEW NOVEL FROM THE ORANGE PRIZE-WINNING AUTHOR OF WE NEED TO TALK ABOUT KEVIN.‘Distinctly chilling’ Independent ‘Unsettling as it is entertaining’ Financial Times‘It's scaring the hell out of me’ Tracy ChevalierIn this eerily prophetic novel from the Orange Prize-winning author of We Need to Talk About Kevin, a once-wealthy family faces the prospect of ruin. This apocalypse is financial – the dollar is in meltdown, America’s national debt far beyond repayment.It is 2029.The Mandibles have been counting on a sizable fortune filtering down when their 97-year-old patriarch dies, but now their inheritance is turned to ash. Each family member must contend with disappointment, but also — as the effects of the downturn start to hit — the challenge of sheer survival.Recently affluent Avery is petulant that she can’t buy olive oil, while her sister Florence is forced to absorb strays into her increasingly cramped household. As their father Carter fumes at having to care for his demented stepmother now that a nursing home is too expensive, his sister Nollie, an expat author, returns from abroad at 73 to a country that’s unrecognizable.Perhaps only Florence’s oddball teenage son Willing, an economics autodidact, can save this formerly august American family from the streets…Praise for THE MANDIBLES: A Family, 2029–2047‘As ever, Shriver cuts close to the bone! . . . Distinctly chilling’ Independent‘A tale that fizzes with ideas and jokes . . . the comedy is pitch black’ The Times‘All too chillingly plausible…profoundly frightening’ Observer‘Shriver is fast becoming the go-to novelist for some of the big issues . . . breezy, mordantly comic . . . if the test of a futuristic novel is its eerie proximity to the present, this passes with flying colours’ Daily Mail‘A gleeful nightmare, it made me snort with laughter even as I was shuddering’ SARAH WATERS, Best Books of the Summer, Guardian‘Brilliant satire… frankly terrifying’ SARAH CHURCHWELL, Best Books of the Summer, Guardian‘Searing… establishes her firmly as the Cassandra of American letters… I don’t remember the last time a novel held me so enduringly in its grip’ The New York Times‘A powerful work investigating the fragility of the financial world. Prescient, imaginative and funny, it also asks deep questions’ The Economist‘Impressively sweeping… Shriver’s intelligence, mordant humour and vicious leaps of imagination all combine to make this a novel that is as unsettling as it is entertaining’ Financial Times‘A sharp social eye and a blistering comic streak … great, disconcerting fun’ The New Yorker‘Hilarious and brilliant … scary in the best possible way’ Elle‘A provocative and very funny page-turner’ Wall Street Journal‘Shriver really makes you think about the nature of money . . . By the end, The Mandibles had got under my skin’ Evening Standard‘It's scaring the hell out of me’ TRACY CHEVALIER‘A scary, depressing and convincing horror story’ Spectator‘Insightful and darkly funny’ Good HousekeepingLIONEL SHRIVER’s novels include the National Book Award finalist So Much for That, the New York Times bestseller The Post-Birthday World, the international bestseller We Need to Talk About Kevin and the Sunday Times bestseller Big Brother. Her journalism has appeared in the Guardian and the New York Times, the Wall Street Journal and many other publications. She lives in London and Brooklyn, New York.• BIG BROTHER had blanket coverage, Lionel is always a major pull as a talking head and as an author of fiction that is razor-sharp, witty and utterly current• BIG BROTHER was a Waterstones Book Club pick and was a package that launched the backlist look• We sold a staggering 25k ebooks of BIG BROTHER and 30k paperbacks• The economic collapse is handled with prophetic insight by Lionel, and alongside The Heart Goes Last we can see a trend of the human reaction to chaos as a compelling and major theme in fiction todayCompetition: We Need to Talk About Kevin;Standing Chandelier;Motion of the Body Through Space;Handmaid’s Tale;Testaments;Oryx and Crakes;Goldfinch;Station Eleven;Cloud Atlas. Margaret Atwood;Donna Tartt;Elizabeth Strout;Cormac McCarthy;Gabriel Tallet;Bret Easton Ellis;Emily St John Mandel;Dean Koontz
Publicat de: HarperCollins Publishers

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